I moderni designer sviluppano forme numeriche, monitor di computer, telefoni o di TV, il modo in cui sono esposte le informazioni non è più raffigurato su supporti cartacei.

La dimensione, la forma, la luminosità, il colore e la durata dell’immagine, tutto ha un’influenza fondamentale sullo spettatore. Le informazioni devono essere ben presentate, questo è il primo libro specifico sui sistemi di realizzazioni di interfacce web e digitali in genere.

Lo staff e-pix l’ha sfogliato per voi e garantisce il prodotto per tutti qui professionisti che progettano per essere capiti e non guardano al solo senso estetico.

Indice dei contenuti:

0.1.1 Layout – three perspectives 006
0.1.2 Layout and interface 008
0.1.3 Layout as a process 010

1.1.0 Scope of Idea 012
1.1.1 Recognition 014
1.1.2 Possibilities 016
1.1.3 Ideas 018
1.1.4 Rhetoric 020
1.1.5 Design 022

1.2.0 Elements and Objects 024
1.2.1 Elements of the dynamic layout 026
1.2.2 Typographical typology 028
1.2.3 The typology of reading 030
1.2.4 Dots 032
1.2.5 Lines 034
1.2.6 Shapes 036
1.2.7 Colour 038
1.2.8 Photography 042
1.2.9 Illustration and animations 048
1.2.10 Icons 052
1.2.11 Functional elements 056

1.3.0 Montage 058
1.3.1 Montage in the layout 060
1.3.2 Vertical montage – figure-ground 062
1.3.3 Vertical montage – figure-figure 064
1.3.4 Horizontal montage figure-ground-time – 066
1.3.5 Visual gestures 068

2.1.0 Scope of Action 070
2.1.1 Formats 072
2.1.2 Format typology 074
2.1.3 Content beyond the visible 076
2.1.4 Layout beyond the visible 078
2.1.5 Layout grids – seen relatively and absolutely 080
2.1.6 Structured flexibility 082
2.1.7 Layout grids – modularity and more 084

2.2.0 Structure and Organisation 086
2.2.1 Topology 088
2.2.2 Topology – the outside view 092
2.2.3 Topology – the inside view 094
2.2.4 Unconventional topologies (dare to disorder) 096
2.2.5 Structure, contents and organisation 098
2.2.6 From order to variety 100

2.3.0 Collaboration 102
2.3.1 Layout – the communication process 104
2.3.2 Media on media 106
2.3.3 Cooperation interfaces style guides – 108
2.3.4 Digital kits 114

3.1.0 Scope of Effect 116
3.1.1 Mobile devices 118
3.1.2 Desktop systems 120
3.1.3 Public terminals 122
3.1.4 Large-size displays and projections 124

3.2.0 Perception for the Layout 126
3.2.1 Perception – no accident 128
3.2.2 Hearing and feeling the layout 130
3.2.3 Seeing within the layout 132
3.2.4 Perception – typography 134
3.2.5 Perception – colour 136
3.2.6 Perception – orientation 138
3.2.7 Accessibility 140

3.3.0 My Layout 142
3.3.1 One layout – many faces 144
3.3.2 Skinning – personalising layout 146
3.3.3 Personalising the contents 148
3.3.4 Implicit individualisations – the software helps 150
3.3.5 No more layout? 152

0.2.1 Sources and bibliography 154
0.2.2 Acknowledgements 156
0.2.3 Index 158